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| Paul Ranson |
| 1864-1909 |
| European Artist |
| The son of a successful local politician, Ranson was encouraged from the outset in his artistic ambitions. He studied at the Ecoles des Arts Décoratifs in Limoges and Paris but transferred in 1886 to the Académie Julian. His linear, sinuous style, seen in works such as Woman Standing beside a Balustrade with a Poodle had strong affinities with Japanese prints and with contemporary developments in Art Nouveau design; it was a style suited to a variety of media, stained glass, lithography, ceramics or tapestry. Ranson tended to favour exotic, symbolic or quasi-religious motifs rather than subjects observed from nature. In his Nabi Landscape of 1890 for example, he sets a variety of obscure feminine symbols within a fantasy landscape. After his early death in 1909 his wife continued to run the Académie Ranson, which they had opened in 1908 to disseminate Nabi aesthetic ideas and techniques to a younger generation. Teaching was undertaken on a voluntary basis by other Nabis, especially Denis and Sérusier. |
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