October 22, 2007

Thomas Cole – American Artist

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Thomas Cole was an American artist in nineteenth century; he was born in England. In 1818 his family moves to the United States, reconcile in Steubenville, Ohio, wherever Cole educated the basics of his profession from a roving portrait painter named Stein. Though, he had small victory painting portraits, and his concern changed to landscape. In 1823 he is moving to Pittsburgh and after that to Philadelphia in 1824, where he drew from shines at the Pennsylvania Academy of the Fine Arts; he adhere his family in New York City early on 1825.

In New York he vends three paintings to George W. Bruen, who investment a summer voyage to the Hudson Valley where he stay the Catskill Mountain House and painted the remains of Fort Putnam. Revisiting to New York he showed three scenery in the window of a bookstore, where as narrate in the pages of the New York Evening Post they involved the attention of the painter John Trumbull, who wanted him out, obtained one of his canvases, and put him into get in touch with a number of his patrician friends including Daniel Wadsworth of Hartford and Robert Gilmor of Baltimore who became main patrons of the artist.

Cole was mostly an artist of landscapes, and he also painted allegorical works. The most well-known of these five-part progression, The Course of Empire, at present in the collection of the New York Historical Society and the four-part of  The Voyage of Life. There are two edition of the final, one at the Munson-Williams-Proctor Arts Institute in Utica, New York, the other at the National Gallery in Washington, D.C.

October 12, 2007

George Catlin – American Artist

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George Catlin (July 26, 1796–December 23, 1872) was an American painter, author and voyager who expert in portraits of Native Americans in the Old West.

Subsequent a concise career as a lawyer, he created two main collections of paintings of American Indians and circulated a series of books chronicling his travels along with the native peoples of Central , North and South America.

He starts his journey in 1830 when he accompanies General William Clark on a diplomatic mission up the Mississippi River into Native American land. St. Louis turns into Catlin’s base of process for five trips he took between 1830 and 1836, finally visiting fifty tribes. Two years afterward he led the Missouri River over 3000 km to Ft Union, where he spent some weeks with native people still somewhat untouched by European culture. He visited eighteen tribes, as well as the Pawnee, Ponca in the south and Omaha and the Mandan, Assiniboine, and Blackfeet to the north. There, at the edge of the border, he created the most brilliant and incisive portrait of his career. Later trips next to the Arkansas, Red and Mississippi rivers as well as visits to Florida and the Great Lakes resulted in more than 500 paintings and a large collection of artifacts.

When Catlin came back east in 1838, he gathered these paintings and several artifacts into his Indian Gallery and started distributing public lectures which represent on his personal recollections of life with the American Indians. Catlin takes a trip with his Indian Gallery to major cities such as Pittsburgh, Cincinnati, and New York. He suspends his paintings salon style to great result. Visitors recognized each painting by the number on the framework as listed in Catlin’s catalogue.

Catlin’s vision was to sell his Indian Gallery to the U.S. government so with the aim of his life’s job would be conserved intact. His nonstop attempts to convince various officials in Washington, D.C. failed. He was strained to sell the original Indian Gallery, now 607 paintings, due to own debts in 1852. Entrepreneur Joseph Harrison took ownership of the paintings and artifacts, which he stored in a factory in Philadelphia, as safety. Catlin spends the last 20 years of his life annoying to re produce his collection. This second set of paintings is recognized as the “Cartoon Collection” while the works are stand on the outlines he drew of the works from the 1830s.

The almost complete surviving set of Catlin’s first Indian Gallery painted in the 1830s is currently part of the Smithsonian American Art Museum’s collection. Some 700 drawings are in the American Museum of Natural History, New York City.

October 8, 2007

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Oil Paintings