Friday, July 27, 2007
To know how we need to take care for our family treasures, we must know what they are made from and how they get worse. Oil Paintings usually consist of a paint layer on a carry such as canvas, and are generally framed.
The support could further be a variety of materials such as canvas attached to a wooden frame known as stretcher, or wooden panels, prepared cardboards, composition boards, metal sheets, yap or could me made up of any other flat surface. The Library even has an oil painting reproduction on a big gum leaf! It is the communication of these various materials that would decide the way an oil painting reacts to getting old, storage and display.
Light and Temperature
Fabric, wood and paints are generally the main components of your oil paintings and these are really sensitive materials. Try to keep away from strong light levels as too much light might cause tint and/or fading of your oil paintings. Ensure your oil paintings are displayed in an area where they are not uncovered to direct sunlight. Also avoid particularly high levels of reproduction light such as halogen lights hung too close to the top of the picture frame.
Smoke and Dirt
Smoke might cause the buildup of dirt on your paintings. Try to avoid exhibit expensive oil paintings in areas where smoke is generally near fireplaces. From time to time, take your oil painting off from the wall and look at them for the presence of pests. In case you find small holes on the back of the canvas or on the frame, or a material that looks like dust, put the painting in a plastic bag and call for expert counsel on how to get rid of the pests.
Handling and Moving
Handle your paintings with tremendous caution. When you move a painting, take care you are grasping it firmly from both sides. Do not grip it by its hanging wire or by the top. Try to keep away from bumping the oil painting into walls or into furniture. Before handling your painting, bear in mind to take off sharp jewelry or any belt buckles, in order to shun scratches and tears.
